Especially if you’re the kind of photographer who wants to sling a single A7III camera and lens over your shoulder and just head out to shoot – without being weighed down by any extra baggage.In this case, be aware that you will likely need to spend a lot more money in order to purchase a zoom lens with maximum aperture and image sharpness comparable to a prime.And that’s if a comparable option is available at all.As for avoiding the common trap of zooming when you should merely be taking a step backwards or forwards, well, this ultimately down to the photographer.
It might dwarf your a7III, but looking funny is a small price to pay for the stunning photos you can get with this lens.The Sony FE 70-200mm F4 G OSS is massive, as befits a telephoto zoom lens. It is also very big and heavy, and coma correction leaves a lot to be desired.Compared to most 14mm or 15mm lens, the Sigma has much lower vignetting and a better resolution at the very edges of the frame. Getting a subject into focus is swift and noiseless, with minimal hunting even in low light.This lens excels at landscape and city photography but can hold its own for portraits and quasi-macro shots too. Physical controls include the AF/MF switch and a hold focus button useful for shot reposition.The fixed focal length allows for a high aperture of f/1.8, letting you capture scenes with a pronounced depth of field and use the a7III for low-light photography.
Just expect to pay handsomely for it.The 16-35mm’s advantages don’t end with low light capabilities, however; in addition to a faster maximum aperture, you also get both superior optics and sturdier build, not to mention the ability to use filters (something that’s notably missing from the 12-24mm).Bokeh, too, is far superior here; owing to a full 11 aperture blades.

Your a7III will take care of inconsistencies in-camera for JPEGs, while excellent RAW quality can be attained with editing software. The plastic body scratches easily and may even break in half if stressed in the middle, so take care of it like you would of a newborn.Our budget pick is a prime lens with a fixed focal length of 28mm. On the opposite end, 75mm is ideal for portraits and astronomy photos. Zeiss Batis 18mm f/2.8 ($1,499): Well-suited to interior, architectural, and astrophotography applications, the Batis 18mm f/2.8 blends its extremely wide 99° angle of view with a high degree of functionality.It is extremely sharp all the way to the corners. As the range of wide angle lenses available for Sony’s fantastic Alpha 7III Mirrorless cameras rapidly expands, the task of narrowing these down to a definitive first choice becomes ever more difficult.In reality though, the best wide angle lens for the Sony a7III is simply the right wide angle lens for your photography.So precisely which lens you should go for will in large part depend on your own particular technical needs and shooting style.Aside from this, though, there are a number of important considerations that anyone considering purchasing a wide angle lens for the a7III would do well to take into account.And in this guide I will walk you through each of the main points to consider.As with all other lenses in the G-Master series, the 24mm f/1.4 doesn’t come cheap.Indeed, when the 24mm GM was released, many were skeptical that a 24mm at this price point – and of such discrete dimensions – could possibly deliver the pro-level image quality Sony promised.But deliver it does.

And despite looking quite large at first, this well-built lens is actually quite lightweight.Finally, we looked at a zoom lens for those astrophotographers who only want to carry one lens, rather than a bag full of Prime lenses.This lens is a stop faster than the f/4 of the previous Sony/Zeiss 16-35mm lens and has a larger piece of glass which weighs in at nearly 1.5 pounds. If you do nab a good copy, it’s an amazing pick.If you start shooting details at a wedding, food, product, or anything else that may require getting a little closer than normal you will need a macro lens eventually.Sony’s option is the 90mm f/2.8, and I can verify from personal experience that it is amazing.

Get Built-in image stabilization has its own switch, as does mode selection you should switch from Normal to Pan when panning the camera.The lens employs dual motors to keep autofocus quiet and on point.

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